Category: OCA
no country for old men
I That is no country for old men. The youngIn one another’s arms, birds in the trees,—Those dying generations—at their song,The salmon-falls, the mackerel-crowded seas,Fish, flesh, or fowl, commend all summer longWhatever is begotten, born, […]
part 5: ex 5: pool people
For this exercise, I decided to use my kitchen sink as the basis for a swimming pool scene. This gave me the opportunity to explore reflections on water, reflections on flat and curved surfaces and […]
a woman with a chicken on her head
Based on a photo in The Guardian. I was struck by the combinations of colour. The background is sampled from the photograph itself.
part 5: ex 4: a bigger boat
Jaws – Steven Spielberg – 1975 Another storyboard. I feel I spent rather too much time on the earlier ones so wanted to do something quickly with sustained effort over a shorter time period – […]
part 5: ex 5: tube people
I thought it might be fun to make a drawing of a character already in a photograph and then overlay it in a composite.
part 5: ex 3: direct
Hmm. I started out using a very thick, tacky, water-based relief ink. It worked great for the abstract stuff but very difficult to work with here. See the two lower, aborted pieces. It was just […]
part 5: ex 2: transfer
I found this exercise unexpectedly problematic. Clearly too much ink in the lower image but then when I tried with less, I had too little! I suspected the thick and tacky relief ink was part […]
part 5: ex 1: balance
Based on previous experiments, I’ve found that torn-up newspaper gives good results with the thick relief ink I’m using. I’ve also tried thin pheasant-tail grass stems and heads but with limited success. I’m also using […]
first monotype experiments
I’ve found that masking areas with objects produces some rather uninspiring and blurry-outlined negative spaces. However, if I remove the objects and then take another print, magic happens and lots of lovely detail. I’m using […]
a photomontage
Imagining what my seaside street could look like in the not-so-distant future. The source image from Google street view:
Part 5: ex 4: a vision from hell
Raising Arizona – The Coen Brothers – 1987 When I googled the script for this, I found a version that included scene descriptions and camera positions and movements, which I have included to the right […]
part 5: ex 4: ali’s well
Lawrence of Arabia – David Lean – 1962 The classic introduction of Omar Sharif’s character. With my new-found ability to digitally cut-out drawn characters, I decided to create the backdrops for these cells from the […]
early experiments
Trying out some composite ideas using Powerpoint (yes Powerpoint – it’s good for more than just presentation slides).
part 4: ex 4: face
Back to my face. I used grey paper for the colour version so the white highlights pop a bit more. This one is interesting to me. The nose is too wide, the eyes are slightly […]
part 4: ex 3: bigly
I chose a hand sketch for this enlargement exercise. I overlaid a grid on a digital version of the image, for the sake of convenience, rather than adding a grid to the picture itself. The […]
kk revisited
A study of Käthe Kollwitz’s Whetting the Scythe – pencil and charcoal. I lost concentration here when doing the initial sketching out and have ended up with an elongated composition – the original is roughy […]
part 4: ex 2: feet
My feet. I found my feet a more difficult subject than my hands – perhaps because I look at them a lot less that at my mitts. The red drawing follows on directly from my […]
part 4: ex 2: hands
Here I am applying some of the techniques used by Egon Schiele to make the compositions more interesting and to create more dramatic negative spaces – letting the hands touch or overshoot the edges of […]
part 4: ex 1: still life x 3
I was having trouble finding a suitable set of objects around the house that were of similar form, size and colour so got a little … creative and decided to play with scale. The brief […]
all hands
A few fast scribbles of my hand (sitting in the sun). Between the glare of the sun, the harsh shadows and my sunglasses, I was partially unsighted and not able to see exactly what I […]
egon
A few Egon Schiele studies, paying specific attention to the treatment of negative space. Interesting the way the figures carve up the canvas by touching or going beyond the edges. Also, they sometimes rest on […]
getting to know me (or at least my face)
Colin walks into a bar. The bartender asks “why the long face?” Colin replies “oh I’m fine – I’m just drawn that way”. Freestyle from a selfie. It’s me (ish) alright but a very elongated […]
part 3: ex 1: #2
A revisit of the cupboard exercise (but with the fridge!). Two vanishing points this time – one for the fridge interior and one for the door. The door actually has another one – far off […]
part 3: ex 2: oranges are not the only fruit
Colour pencil on white card. An electric precision eraser is giving me new mark-making options – especially the ability to precisely lift off dots of material – so little dots are working overtime here – […]
kathe
Kollwitz. A copy of an early self-portrait – unburdened by the cares weighing on later works. The original is in pen and ink so she must have nailed every stroke first time, every time – […]
eggs
Another exercise from Experimental Drawing by Robert Kaupelis. The challenge here was to render some eggs in multiple colours but whose local colour should read as white. Coloured pencil on grey paper. The reflected green […]
peachy
They aren’t very peachy though, are they? They could read as apples. They didn’t actually have much in the way of the classic peach dimple – I should be more choosy when buying peaches! Plus […]
still life #n
Trying here an exercise from Experimental Drawing by Robert Kaupelis. The direction is to: set up a still life; capture some horizontals, verticals and diagonals; apply tones to the resultant shapes in a random fashion […]
apples and bottle (empty) in the sunshine
Exploring composition … All unbalanced in terms of overall picture composition but I’m as much interested in the shadows as the rest. I’ve chosen the set-up bottom right (against instinct) because the lighting of the […]
organics
shrooms – magic? alas no. Very quick sketch with fast mark-making and minimal shading work.
part 2: dark to light revisited
Is she looking me? Is she cross-eyed? Gaze is hard.
organics practice
I laid down some colour with soft pastels before I got to work with the pencils. A quick study done in a single short session. Daylight from the right. Having stared at it for a […]
organics practice
Ah… vacado. A rotting specimen. Daylight from behind and a small lamp to the left. The hollow in the right half of the fruit doesn’t immediately present itself as such (to me anyway). Why? What […]
organics practice
How do you like them apples? Daylight from behind. Why did I buy stripy apples? – difficult pattern to capture successfully.
part 3: ex 1: old mother hubbard went to the …
Single-point perspective with the horizon line at the bottom shelf front edge. I have given the actual visible bits a darker outline and added some shading to the cupboard itself but not the objects within.
part 2: ex 5: reverso
Same set-up as the previous exercise – a wi-fi range extender and a google smart speaker, lit from the left. I broke the no-outline rule a little bit at the start but tried to work […]
part 2: ex 5: reverso (practice)
some practice….
part 2: ex 4: light and shadow
A wi-fi range extender and a google smart speaker, lit from the left with ambient daylight. I have deliberately chosen objects of the “now” rather than timeless things like cups, jugs, fruit, etc. Not sure […]
part 2: ex 3: balls!
Reflected light in the shaded part is something I often fail to notice (or maybe it is just not there sometimes) when looking at real objects but it does add an extra something to a […]
part 1: ex 7: corner #6
A small sub-woofer, satellite speaker and orange glass lamp. All the preceding corner drawings have strong lines so going for something a bit different here – trying to avoid outlines where possible. Also couldn’t resist […]
part 1: ex 7: corner #5
The washbasin in the bathroom, with shelf and towel rail reflected in the mirror. I had to really wrestle that basin into existence as evidenced in all the rework in the in-progress pics.
part 1: ex 7: corner #4
The hallway, as viewed from several steps up the stairs. You would think I would have remembered to use an actual vanishing point here but no – eyeballed it again. Does the floor work? They […]
last night I dreamt of making art – a good sign?
part 1: ex 7: corner #3
The hob and extractor in the kitchen. This one was a bit of a failure and abandoned rather than finished. I used soluble pencils to try and replicate the texture of the splashback (I used […]
part 1: ex 7: corner #2
Under the stairs in the hallway. This looks a little staged but it isn’t – I do have that arrangement with the skull on the top of the shelves, The wine bottles are empty alas […]
part 1: ex 7: corner #1
The back of the house with the media stand, the electric fire and the bi-fold doors looking out onto decking. This started out almost like an isometric drawing – all parallel lines – but I […]
part 1: more practice
I’m trying to get in the habit of sketching an object from life at least once a day to build up some drawing fluency before I tackle the “corners”
part 1: ex 5&6: from memory and blind
from memory: hmmm… still stilted and tentative. My drawing chops have definitely atrophied over decades of lack of practice. Only one solution: draw, draw, draw and then…. draw some more. with paper under table so […]
part 1: ex 3&4: contours
EX 3: I found this surprisingly difficult at first. I am obviously extremely rusty at this. My hand felt tense and the line just didn’t flow. Things improved slightly with repetition but drawing the outside […]
part 1: ex 2: drama!
with charcoal with soft pencil, ink pencil, fountain pen
part 1: ex 1: fractures
Not really feeling the first bit of the exercise. Here is a selection of pages with a selection of marks. If I had to characterise any of them then .. maybe … one is “flames”, […]
SO NOW I AM WARMED UP APPARENTLY – ONWARD TO PART 1
venn diagram
Vasari relates that when Pope Benedict XI sent a messenger to Giotto, asking him to send a drawing to demonstrate his skill, Giotto drew a red circle so perfect that it seemed as though it was drawn using […]
it’s all in the wrist
I struggled to make any “pleasing” marks with this one (pen dangling from finger tip grip/elbow and upper arm fixed). I tried with soft pencil, then charcoal pencil, then felt-tip, then marker. I thought I […]
quick-quick-slow
this may be my first time drawing on a vertical surface it feels a little awkward, even with my good hand without the support afforded by a horizontal surface but being able to just step […]
loosening up (bigly)
it’s been a long long time since I put charcoal to paper – but the feel, the smell, the squeaking sound of it, are all familiar – and all good there isn’t much difference between […]
loosening up
every journey starts with … lots of circles? – who knew? I’m left handed so right 1/2 are with the “wrong” hand. some observations: half-way through the first page, I was bored … … but […]
my space
added some drawers to the shelving and sheer roller blinds to the window for privacy
my dark materials
tools to make marks with? – check tools to erase marks? – check materials to make marks on? check surfaces to to lay materials on? check a space to make/erase marks on materials resting on […]
STARTED A DRAWING FOUNDATION COURSE!