Category: OCA

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no country for old men

I That is no country for old men. The youngIn one another’s arms, birds in the trees,—Those dying generations—at their song,The salmon-falls, the mackerel-crowded seas,Fish, flesh, or fowl, commend all summer longWhatever is begotten, born, […]

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kk revisited

A study of Käthe Kollwitz’s Whetting the Scythe – pencil and charcoal. I lost concentration here when doing the initial sketching out and have ended up with an elongated composition – the original is roughy […]

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egon

A few Egon Schiele studies, paying specific attention to the treatment of negative space. Interesting the way the figures carve up the canvas by touching or going beyond the edges. Also, they sometimes rest on […]

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kathe

Kollwitz. A copy of an early self-portrait – unburdened by the cares weighing on later works. The original is in pen and ink so she must have nailed every stroke first time, every time – […]

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eggs

Another exercise from Experimental Drawing by Robert Kaupelis. The challenge here was to render some eggs in multiple colours but whose local colour should read as white. Coloured pencil on grey paper. The reflected green […]

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peachy

They aren’t very peachy though, are they? They could read as apples. They didn’t actually have much in the way of the classic peach dimple – I should be more choosy when buying peaches! Plus […]

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still life #n

Trying here an exercise from Experimental Drawing by Robert Kaupelis. The direction is to: set up a still life; capture some horizontals, verticals and diagonals; apply tones to the resultant shapes in a random fashion […]

my dark materials

tools to make marks with? – check tools to erase marks? – check materials to make marks on? check surfaces to to lay materials on? check a space to make/erase marks on materials resting on […]